ACT IV
Scene I Friar Laurence’s cell
Enter Friar Laurence and County Paris.
And I am nothing slow to slack his haste.
Uneven is the course; I like it not.
Immoderately she weeps for Tybalt's death,
And therefore have I little talk'd of love;
For Venus smiles not in a house of tears.
Now, sir, her father counts it dangerous
That she do give her sorrow so much sway,
And in his wisdom hastes our marriage
To stop the inundation of her tears,
Which, too much minded by herself alone,
May be put from her by society.
Now do you know the reason of this haste.
Look, sir, here comes the lady toward my cell.
Enter Juliet.
Being spoke behind your back, than to your face.
For it was bad enough before their spite.
And what I spake, I spake it to my face.
Are you at leisure, holy father, now,
Or shall I come to you at evening mass
My lord, we must entreat the time alone.
Juliet, on Thursday early will I rouse ye.
Till then, adieu, and keep this holy kiss. Exit.
Come weep with me— past hope, past cure, past help!
It strains me past the compass of my wits.
I hear thou must, and nothing may prorogue it,
On Thursday next be married to this County.
Tell me not, friar, that thou hear'st of this,
Unless thou tell me how I may prevent it.
If in thy wisdom thou canst give no help,
Do thou but call my resolution wise
And with this knife I'll help it presently.
God join'd my heart and Romeo's, thou our hands;
And ere this hand, by thee to Romeo's seal'd,
Shall be the label to another deed,
Or my true heart with treacherous revolt
Turn to another, this shall slay them both.
Therefore, out of thy long-experienc'd time,
Give me some present counsel; or, behold,
’Twixt my extremes and me this bloody knife
Shall play the empire, arbitrating that
Which the commission of thy years and art
Could to no issue of true honour bring.
Be not so long to speak. I long to die
If what thou speak'st speak not of remedy.
Hold, daughter. I do spy a kind of hope,
Which craves as desperate an execution
As that is desperate which we would prevent.
If, rather than to marry County Paris
Thou hast the strength of will to slay thyself,
Then is it likely thou wilt undertake
A thing like death to chide away this shame,
That cop'st with death himself to scape from it;
And, if thou dar'st, I'll give thee remedy.
O, bid me leap, rather than marry Paris,
From off the battlements of yonder tower,
Or walk in thievish ways, or bid me lurk
Where serpents are; chain me with roaring bears,
Or shut me nightly in a charnel house,
O'ercover'd quite with dead men's rattling bones,
With reeky shanks and yellow chapless skulls;
Or bid me go into a new-made grave
And hide me with a dead man in his shroud—
Things that, to hear them told, have made me tremble—
And I will do it without fear or doubt,
To live an unstain'd wife to my sweet love.
Hold, then. Go home, be merry, give consent
To marry Paris. Wednesday is to-morrow.
To-morrow night look that thou lie alone;
Let not the nurse lie with thee in thy chamber.
Take thou this vial, being then in bed,
And this distilled liquor drink thou off;
When presently through all thy veins shall run
A cold and drowsy humour; for no pulse
Shall keep his native progress, but surcease;
No warmth, no breath, shall testify thou livest;
The roses in thy lips and cheeks shall fade
To paly ashes, thy eyes' windows fall
Like death when he shuts up the day of life;
Each part, depriv'd of supple government,
Shall, stiff and stark and cold, appear like death;
And in this borrowed likeness of shrunk death
Thou shalt continue two-and-forty hours,
And then awake as from a pleasant sleep.
Now, when the bridegroom in the morning comes
To rouse thee from thy bed, there art thou dead.
Then, as the manner of our country is,
In thy best robes uncovered on the bier
Thou shalt be borne to that same ancient vault
Where all the kindred of the Capulets lie.
In the mean time, against thou shalt awake,
Shall Romeo by my letters know our drift;
And hither shall he come; and he and I
Will watch thy waking, and that very night
Shall Romeo bear thee hence to Mantua.
And this shall free thee from this present shame,
If no inconstant toy nor womanish fear
Abate thy valour in the acting it.
In this resolve. I'll send a friar with speed
To Mantua, with my letters to thy lord.
Farewell, dear father.
Exeunt.
Scene II Capulet’s house
Enter Father Capulet, Mother, Nurse,
and Servingmen, two or three.
Sirrah, go hire me twenty cunning cooks.
What, is my daughter gone to Friar Laurence?
A peevish self-will'd harlotry it is.
Enter Juliet.
Where I have learnt me to repent the sin
Of disobedient opposition
To you and your behests, and am enjoin'd
By holy Laurence to fall prostrate here
To beg your pardon. Pardon, I beseech you!
Henceforward I am ever rul'd by you.
I'll have this knot knit up to-morrow morning.
And gave him what becomed love I might,
Not stepping o'er the bounds of modesty.
Why, I am glad on’t. This is well. Stand up.
This is as’t should be. Let me see the County.
Ay, marry, go, I say, and fetch him hither.
Now, afore God, this reverend holy friar,
All our whole city is much bound to him.
To help me sort such needful ornaments
As you think fit to furnish me to-morrow?
Exeunt Juliet and Nurse.
’Tis now near night.
Tush, I will stir about,
And all things shall be well, I warrant thee, wife.
Go thou to Juliet, help to deck up her.
I'll not to bed to-night; let me alone.
I'll play the housewife for this once. What, ho!
They are all forth; well, I will walk myself
To County Paris, to prepare him up
Against to-morrow. My heart is wondrous light,
Since this same wayward girl is so reclaim'd.
Exeunt.
Scene III Juliet’s chamber
Enter Juliet and Nurse.
Ay, those attires are best; but, gentle nurse,
I pray thee leave me to myself to-night;
For I have need of many orisons
To move the heavens to smile upon my state,
Which, well thou knowest, is cross and full of sin.
Enter Mother.
No, madam; we have cull'd such necessaries
As are behooffull for our state to-morrow.
So please you, let me now be left alone,
And let the nurse this night sit up with you;
For I am sure you have your hands full all
In this so sudden business.
Get thee to bed, and rest; for thou hast need.
Exeunt Mother and Nurse.
Farewell! God knows when we shall meet again.
I have a faint cold fear thrills through my veins
That almost freezes up the heat of life.
I'll call them back again to comfort me.
Nurse!— What should she do here?
My dismal scene I needs must act alone.
Come, vial.
What if this mixture do not work at all?
Shall I be married then to-morrow morning?
No, No! This shall forbid it. Lie thou there.
Lays down a dagger.What if it be a poison which the friar
Subtilly hath minist'red to have me dead,
Lest in this marriage he should be dishonour'd
Because he married me before to Romeo?
I fear it is; and yet methinks it should not,
For he hath still been tried a holy man.
I will not entertain so bad a thought.
How if, when I am laid into the tomb,
I wake before the time that Romeo
Come to redeem me? There's a fearful point!
Shall I not then be stifled in the vault,
To whose foul mouth no healthsome air breathes in,
And there die strangled ere my Romeo comes?
Or, if I live, is it not very like
The horrible conceit of death and night,
Together with the terror of the place—
As in a vault, an ancient receptacle
Where for this many hundred years the bones
Of all my buried ancestors are pack'd;
Where bloody Tybalt, yet but green in earth,
Lies fest'ring in his shroud; where, as they say,
At some hours in the night spirits resort—
Alack, alack, is it not like that I,
So early waking— what with loathsome smells,
And shrieks like mandrakes torn out of the earth,
That living mortals, hearing them, run mad—
O, if I wake, shall I not be distraught,
Environed with all these hideous fears,
And madly play with my forefathers' joints,
And pluck the mangled Tybalt from his shroud.,
And, in this rage, with some great kinsman's bone
As with a club dash out my desp'rate brains?
O, look! methinks I see my cousin's ghost
Seeking out Romeo, that did spit his body
Upon a rapier's point. Stay, Tybalt, stay!
Romeo, I come! this do I drink to thee.
She drinks and falls upon her bed within the curtains.
Scene IV Capulet’s house
Enter Lady of the House and Nurse.
Enter Old Capulet.
The curfew bell hath rung, ’tis three o'clock.
Look to the bak'd meats, good Angelica;
Spare not for cost.
Get you to bed! Faith, you'll be sick to-morrow
For this night's watching.
All night for lesser cause, and ne'er been sick.
But I will watch you from such watching now.
Exeunt Lady and Nurse.
Enter three or four Fellows, with spits and logs and baskets.
Call Peter; he will show thee where they are.
And never trouble Peter for the matter.
Mass, and well said; a merry whoreson, ha!
Thou shalt be loggerhead. Exit Fellow. Good faith, ’tis day.
The County will be here with music straight,
For so he said he would. Play music.
I hear him near.
Nurse! Wife! What, ho! What, nurse, I say!
Enter Nurse.
I'll go and chat with Paris. Hie, make haste,
Make haste! The bridegroom he is come already:
Make haste, I say.
Exeunt.
Scene V Juliet’s chamber
Enter Nurse.
Mistress! what, mistress! Juliet! Fast, I warrant her, she.
Why, lamb! why, lady! Fie, you slug-abed!
Why, love, I say! madam! sweetheart! Why, bride!
What, not a word? You take your pennyworths now!
Sleep for a week; for the next night, I warrant,
The County Paris hath set up his rest
That you shall rest but little. God forgive me!
Marry, and amen. How sound is she asleep!
I needs must wake her. Madam, madam, madam!
Ay, let the County take you in your bed!
He'll fright you up, i' faith. Will it not be?
Draws aside the curtains.What, dress'd, and in your clothes, and down again?
I must needs wake you. Lady! lady! lady!
Alas, alas! Help, help! My lady's dead!
O weraday that ever I was born!
Some aqua-vitae, ho! My lord! my lady!
Enter Mother.
Revive, look up, or I will die with thee!
Help, help! Call help.
Enter Father.
Ha! let me see her. Out alas! she's cold,
Her blood is settled, and her joints are stiff;
Life and these lips have long been separated.
Death lies on her like an untimely frost
Upon the sweetest flower of all the field.
Ties up my tongue and will not let me speak.
Enter Friar Laurence and the County Paris,
with Musicians.
Ready to go, but never to return.
O son, the night before thy wedding day
Hath Death lain with thy wife. See, there she lies,
Flower as she was, deflowered by him.
Death is my son-in-law, Death is my heir;
My daughter he hath wedded. I will die
And leave him all. Life, living, all is Death's.
And doth it give me such a sight as this?
Accurs'd, unhappy, wretched, hateful day!
Most miserable hour that e'er time saw
In lasting labour of his pilgrimage!
But one, poor one, one poor and loving child,
But one thing to rejoice and solace in,
And cruel Death hath catch'd it from my sight!
O woe? O woful, woful, woful day!
Most lamentable day, most woful day
That ever ever I did yet behold!
O day! O day! O day! O hateful day!
Never was seen so black a day as this.
O woful day! O woful day!
Most detestable Death, by thee beguil'd,
By cruel cruel thee quite overthrown!
O love! O life! not life, but love in death
Despis'd, distressed, hated, martyr'd, kill'd!
Uncomfortable time, why cam'st thou now
To murther, murther our solemnity?
O child! O child! my soul, and not my child!
Dead art thou, dead! alack, my child is dead,
And with my child my joys are buried!
Peace, ho, for shame! Confusion's cure lives not
In these confusions. Heaven and yourself
Had part in this fair maid! now heaven hath all,
And all the better is it for the maid.
Your part in her you could not keep from death,
But heaven keeps his part in eternal life.
The most you sought was her promotion,
For ’twas your heaven she should be advanc'd;
And weep ye now, seeing she is advanc'd
Above the clouds, as high as heaven itself?
O, in this love, you love your child so ill
That you run mad, seeing that she is well.
She's not well married that lives married long,
But she's best married that dies married young.
Dry up your tears and stick your rosemary
On this fair corse, and, as the custom is,
In all her best array bear her to church;
For though fond nature bids us all lament,
Yet nature's tears are reason's merriment.
All things that we ordained festival
Turn from their office to black funeral—
Our instruments to melancholy bells,
Our wedding cheer to a sad burial feast;
Our solemn hymns to sullen dirges change;
Our bridal flowers serve for a buried corse;
And all things change them to the contrary.
Sir, go you in; and, madam, go with him;
And go, Sir Paris. Every one prepare
To follow this fair corse unto her grave.
The heavens do low'r upon you for some ill;
Move them no more by crossing their high will.
Exeunt. Manent Musicians and Nurse.
For well you know this is a pitiful case. Exit.
Enter Peter.
O, an you will have me live, play 'Heart's ease.'
I will carry no crotchets. I'll re you, I'll fa you. Do you note me?
Then have at you with my wit! I will dry-beat you with an iron wit, and put up my iron dagger. Answer me like men.
When griping grief the heart doth wound,Why 'silver sound'? Why 'music with her silver sound'?
And doleful dumps the mind oppress,
Then music with her silver sound—
What say you, Simon Catling?
O, I cry you mercy! you are the singer. I will say for you. It is 'music with her silver sound' because musicians have no gold for sounding.
Then music with her silver sound1. Musician: What a pestilent knave is this same?
With speedy help doth lend redress. Exit.
Exeunt.